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Un espacio para guardar pequeñas y solitarias flores, que no quiero dejar marchitar.

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fiore-rosso:

yohji yamamoto.

fiore-rosso:

yohji yamamoto.


(via fiore-rosso)

Margielafall 1998

Margiela
fall 1998


(via allesistverbunden)
helloyoucreatives:

Chair
via typewear

helloyoucreatives:

Chair

via typewear

(Source: typejunkie)


(via sisifo)
risingobjects:

Ilvy Jacobs

risingobjects:

Ilvy Jacobs


(via sho-tato)
icancauseaconstellation:

balance studies from the moholy-nagy course, 1923/24

icancauseaconstellation:

balance studies from the moholy-nagy course, 1923/24

(Source: ocn)


(via icancauseaconstellation)
Rebecca Horn, Mechanischer Körperfächer (body fan 2) via Rolu

Rebecca Horn, Mechanischer Körperfächer (body fan 2) via Rolu

(Source: kleidersachen)


(via artspotting)

Hussein Chalayan

photography donald christie editing katie barlow thanks to jane how, lia crowe, misako nakazawa

2000 (minus 3)
Curator and Fashion Director Terry Jones Production Design Dante Ferretti

Fashion/Cinema, Biennale di Firenze (1998)

“I wanted to call attention to the usual prejudices and role models ascribed to women in society, with which I was always confronted … .” Birgit Jürgenssen

“Women and irony is still a taboo theme, as is women and humor. The price for this is to a large extent not being taken seriously.” Birgit Jürgenssen
The Austrian Birgit Jürgenssen (1949–2003) was one of the most outstanding feminist avant-garde artists in the world. Starting from the liberating potential of Surrealism and in a dialogue with her generation’s discourse on social critique, beginning in the late sixties she developed a multilayered, stylistically multifaceted kind of art. The female body and its metamorphoses were the focus of her work, which predominately comprised drawing, painting, and photography.

“I wanted to call attention to the usual prejudices and role models ascribed to women in society, with which I was always confronted … .” Birgit Jürgenssen

“Women and irony is still a taboo theme, as is women and humor. The price for this is to a large extent not being taken seriously.” Birgit Jürgenssen

The Austrian Birgit Jürgenssen (1949–2003) was one of the most outstanding feminist avant-garde artists in the world. Starting from the liberating potential of Surrealism and in a dialogue with her generation’s discourse on social critique, beginning in the late sixties she developed a multilayered, stylistically multifaceted kind of art. The female body and its metamorphoses were the focus of her work, which predominately comprised drawing, painting, and photography.

(Source: straccetti)


(via kleidersachen)

(Source: schuhtutehemd)


(via kleidersachen)